← More Twenty Years After Fan Fiction

Fan Fiction · Set in Twenty Years After

Grimaud's Silence

This is fan fiction. An original, unofficial story written by a contributor to this site, not by Alexandre Dumas. It is not part of the actual novel and should not be mistaken for Dumas's own writing.

People assumed, meeting Grimaud for the first time, that his silence was a discipline imposed on him: some harsh early training that had frightened the speech permanently out of a man who might otherwise have chattered as freely as the next servant. Athos had never corrected this assumption, partly because correcting it would have required more words than either man typically spent on any single subject, and partly because the truth was, in Grimaud's own private estimation, nobody's business but his.

The truth was that Grimaud had never been much of a talker even as a boy, growing up the fourth of six children in a household where conversation was a limited resource distributed, like everything else, according to a hierarchy Grimaud had occupied near the bottom of. His older brothers spoke; his older sisters spoke; Grimaud watched, and listened, and developed early a private conviction that most of what passed for necessary conversation was, on closer examination, considerably less necessary than the people producing it seemed to believe.

 

What Athos's service had done, in the decades since, was not create this tendency but refine it into something closer to a philosophy, and Grimaud held to that philosophy with the quiet, unexamined confidence of a man who has tested it for years and found it holds. He had observed, across a working life spent almost entirely in the company of men who talked a great deal (Porthos in particular, whose capacity for filling any available silence with commentary on his own achievements Grimaud regarded with the detached professional interest of a naturalist studying an unusually persistent species of bird) that talk very rarely changed anything about the situation it described. Men talked to reassure themselves, or to be admired, or simply because silence made them uncomfortable in ways they preferred not to sit with. Very little of it, in Grimaud's long private accounting, altered events.

Action altered events. A door opened at the right moment, a horse saddled before it was asked for, a warning delivered by a raised hand rather than a shouted sentence that might carry to the wrong ears: these were the currencies Grimaud had chosen to deal in, across thirty years in Athos's service, and he had come to believe, with the quiet certainty of a man who rarely bothered to argue his positions aloud, that he had gotten the better exchange rate than most men who dealt primarily in words.

 

There was, beneath this practical philosophy, a second and more private reason for the silence, one Grimaud had never articulated to anyone, including, in any direct way, himself. He had watched Athos, across three decades, carry a grief so carefully contained that most observers mistook the containment for the absence of feeling rather than its opposite, a man who had learned, the hard way, that certain kinds of pain grew larger rather than smaller with repeated telling, and who had built, out of that hard lesson, a discipline of silence Grimaud had come to recognize, and eventually to share, as the single most useful skill either of them possessed.

Grimaud did not know the full particulars of what his master had suffered, in the years before Grimaud entered his service. He knew only the shape of it, the outline visible in what Athos didn't say rather than what he did, the way a room's furniture can be inferred from the pattern of dust undisturbed around it. But he had absorbed, over the years, something of his master's own conviction that speech, deployed carelessly, could reopen wounds a more careful silence kept closed, and he had come to apply this conviction not only to Athos's private grief but to nearly every situation he encountered, on the theory that a man who spoke only when speech was strictly necessary made considerably fewer mistakes than a man who spoke because silence felt, in the moment, uncomfortable to sit inside.

This was, Grimaud understood, a philosophy poorly suited to most kinds of ordinary human life, which ran on precisely the small talk and reassurance he had spent a lifetime declining to produce. He had made his peace with this cost decades ago. What he had gained, in exchange, was a working partnership with a man he respected, built on an understanding so complete between them that words had largely become superfluous to it. Athos need only glance in a particular direction, and Grimaud would already be moving toward whatever the glance required, a system of communication Grimaud privately considered considerably more efficient, and considerably more honest, than anything achievable through conversation.

He had never once regretted the bargain. He had, on occasion, wondered what his life might have looked like had he been born into a household with room enough for a fourth child's voice to matter, and had grown, across the decades, into a man for whom speaking came naturally rather than as a discipline maintained against his own inclination. But wondering, in Grimaud's considered private judgment, was itself a species of talk, an internal conversation serving no purpose beyond its own continuation, and he had learned, long ago, to extend to his own thoughts the same economy he extended to everyone else's words: only what was necessary, only when necessary, and never a syllable more than the moment really required.

Advertisement