Free Public-Domain Edition

The Two Dianas

One name shared by a king's daughter and a king's mistress.

France, 1551. Gabriel, raised as a commoner, learns on his eighteenth birthday that he is in fact the Comte de Montgommery — and falls in love with Diane, a foundling promised in marriage to the Duc de Castro. As their story unfolds across the final years of Henri II's reign, it becomes entangled with two of the era's most famous real women who shared Diane's name: Diane de Poitiers, the king's celebrated mistress, and Diane de France, the king's own natural daughter. Love, mistaken identity, and a real, fatal accident on a jousting field all converge across this sweeping three-volume romance.

A note on authorship: Unlike the other novels on this site, The Two Dianas is one whose authorship is genuinely disputed. It was published and has always circulated under Alexandre Dumas's name, but the bibliographer Parran recorded a claim that it was written entirely by Dumas's longtime collaborator and secretary Paul Meurice, and that Dumas himself admitted he had never even read it. Meurice worked closely with Dumas for years and co-wrote several plays and novels with him, and by the 1840s Dumas's studio-style method of production — sometimes lending his name to work by trusted collaborators — was an open secret in literary Paris. We're including the novel here because it has always been published as part of the Dumas canon, but readers deserve to know that its connection to Dumas himself is unusually thin.
About the Book

Two Women, One Name

The novel takes its title from a deliberate, elegant piece of historical wordplay: two of the most prominent women in Henri II's France both happened to be named Diane. Diane de Poitiers, twenty years the king's senior, was his celebrated and politically powerful mistress for decades; Diane de France was his acknowledged illegitimate daughter, later legitimized and married into the highest ranks of the nobility. The novel's fictional heroine, also named Diane, moves through a court defined by both women's real influence.

Portrait of Diane de Poitiers
Diane de Poitiers, the real royal mistress whose name and influence shape the novel's world

The novel's most dramatic real event arrives at the end of Henri II's story: his death in 1559 from a wound sustained in a friendly jousting match against the Comte de Montgommery, the historical figure whose name the novel's fictional hero shares. History records the jousting accident as fact; everything the novel imagines about the personal relationship between the fictional Gabriel de Montgommery and his royal namesake's real family is, as this edition's own prefatory note puts it, "romance" built on top of a single, documented tragedy.

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A Sweeping Three-Volume Romance

Across its three volumes, the novel follows its central couple through mistaken identities, a doubled character based on the famous real case of Martin Guerre, and the tightening net of a court where Diane de Poitiers's influence touches nearly everything. It also brushes against the beginnings of the French Wars of Religion, depicting the early stirrings of Protestant reform under John Calvin that would soon convulse the France of the following generation — the same fractures Dumas's Valois trilogy would later dramatize in more detail.

Where the Story Continues

The novel was followed by a sequel, The Page of the Duke of Savoy, continuing the story of its characters into the years beyond Henri II's death. Both books have historically been treated as a matched pair, sharing the same disputed authorship question and the same richly detailed mid-sixteenth-century French setting.

First Published

1846–1847, in three volumes, under Alexandre Dumas's name.

Setting

France, 1551–1560, spanning the later reign of Henri II and the brief reign of François II.

Genre

Historical romance, built around a real royal death and two real, prominent namesakes.

Followed By

The Page of the Duke of Savoy, continuing the same story and disputed authorship.

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