Free Public-Domain Edition

The Vicomte de Bragelonne

The final chapter of four extraordinary lives.

Paris, 1660. D'Artagnan, still only a lieutenant of musketeers after decades of service, watches a young Louis XIV struggle to step out of Cardinal Mazarin's shadow. Athos has retired to raise his son Raoul. Porthos wants nothing more than a title. Aramis has traded his sword for a bishop's robes — and a plot of breathtaking ambition. Over the course of this sprawling final novel, the four old friends are drawn one last time into the affairs of kings, brought together and driven apart, culminating in the legend of the Man in the Iron Mask and the end of the story that began, decades earlier, with four young swordsmen crying "all for one, and one for all."

About the Book

Dumas's Longest Farewell

Serialized across more than two years, from October 1847 to January 1850, The Vicomte de Bragelonne is by far the longest of the d'Artagnan Romances — in most editions, longer than The Three Musketeers and Twenty Years After combined. Where the first two novels move at a swordsman's pace, this final volume slows down considerably, trading duels for court politics, romance, and the long, unhurried work of watching four old friends approach the ends of their very different lives. It is, in a very real sense, Dumas's farewell to the characters who had made him famous.

Nineteenth-century illustration of d'Artagnan for Le Vicomte de Bragelonne
D'Artagnan, illustrated by Philippoteaux & Piaud for an early edition

Because of its great length, English publishers have split the novel in almost every way imaginable — into three, four, five, or even six separate books. This site follows the most common four-part division, presenting the complete text as four consecutive "books" within one continuous table of contents, exactly as the original English translations first appeared.

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Four Books, One Story

Book One: The Vicomte de Bragelonne

D'Artagnan returns to royal service to investigate the ambitious finance minister Nicolas Fouquet, while Raoul de Bragelonne, Athos's son, falls in love with a young woman named Louise de la Vallière.

Book Two: Ten Years Later

Court intrigue deepens as Colbert schemes against Fouquet, and the king's own heart is drawn toward Louise — setting Raoul on a collision course with heartbreak.

Book Three: Louise de la Vallière

Romance and rivalry consume the court of the young Sun King, as Aramis quietly begins to set in motion a conspiracy of extraordinary daring.

Book Four: The Man in the Iron Mask

Aramis's plot is revealed, Porthos meets his legendary end, and the story of the four musketeers reaches its long-awaited, unforgettable close.

A Twin Behind the Mask

The novel's most famous invention is also one of literature's most enduring legends: the idea that Louis XIV had an identical twin, imprisoned in secret and later forced to wear an iron mask so that no one could see the resemblance. The real Man in the Iron Mask was an actual historical prisoner held under Louis XIV, whose true identity has never been conclusively established; Voltaire first popularized the theory that he was a royal relation decades before Dumas seized on the idea and built an entire conspiracy — engineered by Aramis — around it. It's Dumas's version, more than any historical account, that has shaped how the story is remembered ever since.

The End of Four Lives

What sets this novel apart from its predecessors is its willingness to let its heroes age, fail, and die. Porthos's death in a collapsing cave, fighting to the last to save his friend, is often singled out by critics as one of Dumas's finest passages — a moment of real tragedy earned by two previous novels of loyal friendship. Athos, Aramis, and d'Artagnan each meet very different fates by the novel's close, bringing a genuine emotional weight to a saga that began, so many years earlier, with four young men crossing swords with the Cardinal's Guards.

From Page to Screen

While the novel as a whole is less widely read today than The Three Musketeers, owing largely to its size, its final section has become one of the most adapted stories in all of popular fiction. Well over a dozen film and television versions of The Man in the Iron Mask have been made, from silent-era classics to major studio productions, keeping Dumas's invention alive in the popular imagination long after most readers have forgotten the three long books that lead up to it.

First Published

Serialized October 1847–January 1850, the longest and last of the d'Artagnan Romances.

Setting

France (and briefly England), 1660–1673, during the early personal reign of Louis XIV.

Genre

Historical fiction and court intrigue, with a final act of adventure and tragedy.

Completes

The d'Artagnan Romances, following The Three Musketeers and Twenty Years After.

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