Fan Fiction
76 original stories set in the worlds of Alexandre Dumas's novels — the untold moments, the characters who got a paragraph and deserved a chapter, the years between the chapters we do have.
Each story is tagged with the novel it's set in and the character or characters it follows. Shorter pieces run a single page; longer ones are split into chapters, exactly like the novels themselves. Browse by collection below, or jump straight to a specific book's stories from the Works page, where each novel's overview links back to its own fan fiction.
Featured Stories
- The Nurse Who Stayed (Queen Margot)
- Geneviève's Two Lives (The Chevalier de Maison-Rouge)
- Amélie's Choice (The Companions of Jehu)
- Bertuccio's Vendetta (The Count of Monte Cristo)
- Haydée Before Paris (The Count of Monte Cristo)
- Luigi Vampa Before the Bandit (The Count of Monte Cristo)
- The Abbé's Last Student (The Count of Monte Cristo)
- What Danglars Told His Daughter (The Count of Monte Cristo)
- Andrée's Last Winter (The Countess de Charny)
- The Guard at the Temple (The Countess de Charny)
- Chicot's Quiet Year (The Forty-Five Guardsmen)
- What Bussy Left Behind (The Forty-Five Guardsmen)
- Bonacieux's Ledger (The Three Musketeers)
- Kitty's Choice (The Three Musketeers)
- Milady's First Husband (The Three Musketeers)
- The Armorer's Apprentice (The Three Musketeers)
- The Captain Who Waited (The Three Musketeers)
- The Executioner of Béthune (The Three Musketeers)
- What the Cardinal's Man Believed (The Three Musketeers)
- Martin-Guerre's Return (The Two Dianas)
- Baisemeaux's Books (The Vicomte de Bragelonne)
- Belle-Île, One Night Before (The Vicomte de Bragelonne)
- Porthos and the Last Cave (The Vicomte de Bragelonne)
- The Maid Who Knew (The Vicomte de Bragelonne)
- The Boy at Blois (Twenty Years After)
- Sister Jeanne's Confession (Urbain Grandier)
Browse All 76 Stories
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A Note on Why We're Doing This
Dumas built enormous casts. A soldier delivers one line and vanishes; a servant is mentioned twice and never again; a minor court figure gets a single devastating scene and then the narrative moves on. These stories exist to spend a little more time with those characters — and, sometimes, with the major ones, in the years and rooms the novels themselves skip past. None of it is meant to compete with or replace Dumas's own writing. Think of it as the kind of thing readers have always done in the margins of books they loved, now written down.